Creating Characters: Web of Deception

February 11, 2018

Creating Characters: Web of Deception

The first of my epic fantasy novels to be published, Web of Deception, has some of my favorite characters.  It took over seven years of development and several revisions to complete this work.  I’m a bit of a perfectionist, so I never thought it was really done!

I wasn’t writing for a specific audience at first.  (Perhaps it would be more accurate to say, at the time, I was writing for myself as a young adult fiction enthusiast.)  I chose a semi-autobiographical lead.  I imagined myself as Jordan.  Since I was fourteen years old when I started, he originally started out at fourteen.  There were also about 280 pages of exploits and adventures in Ja’hline!  Later, as I became more advanced in my writing profession, I realized that none of these “school stories” did anything to help advance the actual plot; it just gave an extended view at the culture of Swavaria and the emerging character of several players.  This did solidify the characters in my imagination.  I knew them because I had been slowly forming them.  As I hit “delete” on over 280 pages of material, I chose to see it as an exercise in character development  rather than a humongous loss and waste of time.  Today, any one of my series books and most of my novels have a separate file with in-depth biographies and feature traits of each character.  (Usually, even supporting characters like Darren from Brantley Station Saga and General Wrynn from Web of Deception have pages of biographical information on them!)

The character of Kalam was one of the easiest for me; when I started reading this story aloud to my younger brother, he loved it and wanted to be in it.  This led to the creation of Kalam, a younger character included in the group.  This younger character had expounded strengths and the quiet, reserved, thoughtful nature of my brother.  It was easy to develop him.

Several other characters had “base” humans – those I pictured with modified talents or enhanced abilities to keep reminding me of the core of my character.

Jordan was what I imagined myself to be should I be in a fantasy adventure.  His character was actually drawn from attributes I admired in various historical figures and fiction characters from favorite tales.  Jordan was a hodge-podge of strengths I wanted and weaknesses I felt inside me.  The turmoil he feels throughout the book is something any adolescent would likely feel to some degree – we all feel like we are fighting a raging battle between our inner good and evil wolves, don’t we?  (Which wolf do we choose to feed?)

Chloe was my first character that had no “base” human for me to draw from.  She was developed to be the bold opposite of Jordan.  Alike in many ways, but different in certain extremes, Chloe and Jordan complemented each other and fueled a growing fissure of uncertainty throughout the journey.

Sometimes, characters build themselves because of a vacuum created in my work: Corgi was pulled back from the scrap board and I needed a character to compliment him.  To fill this gap bloomed Seva Natalia.

Overall, the characters I create appear to come alive inside my imagination, spill into my dreams, and take on their own lives as I record their adventures on paper (or screen).  Often, the same or very similar characters pop up in various works!  This is because I tend to lean toward strong, noble, intelligent characters and  love tossing in my “bit parts” guys when I can.  (You know, like Gabby Haynes popping up in hundreds of westerns always playing the same sidekick?)  My grizzled, uncouth military leader, wizened salt-and-pepper crowned mentor, sassy bossy no-filter child, and a few others pop up under a variety of names and faces to keep my readers (my girls) yipping, “Mom!  He’s from your other book too!” when they find one of these bit part characters.

Thanks for reading!

Type at you next time…

~Nancy Tart

 

Meet Eloi

A character sketch about Eloi

August 7, 2017

Meet Eloi

Eloi Malikama is a sweet, friendly girl who was orphaned at a young age.  Among the Swavarians, orphans are usually taken in by relatives, but some are recruited by the Warrior-Spirit schools.  Eloi had a teachable talent – she had already been taught basic healing and understood on a basic level the special connection between the medicines in the world around her and the intricacies of the human body.  This made her a desirable asset for a training school.  She was recruited into Ja’hline.

Eloi doesn’t remember her parents or birth village.  Her memories start in Ja’hline.

She is discovered to have another talent; The Second Sight.  This is an inborn talent, few possess it, but when discovered it can be a powerful tool.  Often Eloi sees things about the people around her and sometimes can interpret what these viewings mean.  Eloi’s viewings warn her there is death about a new student – and she quickly perceives him as someone to stay away from.  His strange manner clashes with the culture of Ja’hline.  But soon she sees his faith and realizes he is not as she perceived; rather he is attempting to conform as best as he knows how.  Eloi becomes his friend.  But the death-about-all-around-him viewing stays.  She now pretends it doesn’t exist.

Eloi is strong-willed and usually practical.  She is fiercely loyal to her friends.  She is trained Klnu’mori, but despises the secrecy of it.  Her tendency to follow emotion rather than reason is balanced by another friend’s analytical logic.  Ryn, trained Klnu’mori as well, constantly reminds her of the one vow she made.  She cannot break her secrecy until one specific question is asked.  She hates this charge because she was told it would cause pain.

Eloi loves passionately.  Her friends are her sisters and brothers.  She protects without consideration for herself.  She gives without thought.  Although she is a Warrior-Spirit, she does not see how her small ability can help her friends in their quest; all of them have greater powers than she.  What she cannot see is that her brilliant love is the tool that can pull one heart from the danger she has always seen.

Sometimes we cannot see how powerful we truly are.

Read more about Eloi in “Web of Deception.”

Thanks for reading!

Type at you later…

~Nancy Tart

World Builder

June 3, 2017

World Builder

I love creating alternate fantasy worlds.  I like to make them believable but fascinating.  Here’s a little step into how I build them:

In Web of Deception, the world of the Four Kingdoms is vibrant with culture and history.  I research elements I want, design histories that incorporate geography, climatic or geographic racial differences, climactic events, and culture clashes including the resulting epidemics, interracial blending, or wars that would have been.  To me, when I read Swavarian, I see the history of the people that made them who they are.

Sometimes I love the world so much that I create alternate stories within it.  For instance: the sharply contrasting cultures within the post-apocalyptic Earth world in the Realm of Earth series began with Grenadan stories focusing on the clashes between the militaristic tribe of Grenada with its central hub cities and primitive outskirt cities and the neighboring pacifist tribe of Camela in Source of Strength, Bold Worlds, and The Truth.  This precariously perched world with one central militaristic tribe whose Guards enforce law and order in most of the ten tribes shows up again in the Brantley Station Saga with the wealthier, more technological Qualizidians dealing with the political requirement of allowing Guards in their underwater mining colony.

All Greek?  No.  All part of the Realm of Earth!

That’s the way I explore other cultures in our real world.  I like to step into the shoes of different classes of people during whatever time and wiggle my toes around in them.  I like to picture their daily lives, struggles, imagine what their dreams would have been, and understand their culture without today’s lenses clouding my judgment.  It works for various cultures today too.  How does one understand another culture easily?

Imagine you are a mother in it.  What are your worries?  You love your children (love is universal); your hope is for them to have the best.  That I’ve found to be the easiest shoe for me to step into.  But you have to be able to drop your preconceived notions about what “best” is.  Here, in America, we have almost unlimited hopes and dreams.  An early Greek family living in a smaller polis would be hoping the rains didn’t wash away their crops and dreaming for a winter free of sickness.  They spent most of their day gathering food for the same day; as with most agrarian systems, they lived life connected to the seasons and their crops and animals.  Even if we are fortunate enough to have a garden today, we can find readily available food almost anywhere for a price; we live connected to our jobs which provide us money that translates into food, shelter, and clean water.  “Best” for them was survival.  Their “Best” is what we take for granted.

When I build my worlds, I’m pulling bits from a myriad of cultures I’ve studied and attempt to morph them together in a believable way.  Then I walk around in the shoes of the people I’ve created and pull their hopes, dreams, and feelings from what I would feel should their history be mine.  Hopefully, this process creates some realistic characters and believable worlds for your enjoyment!

Thanks for reading!

Type at you next time,

~Nancy Tart

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