Biblical Film Adaptations

June 16, 2018

Biblical Film Adaptations

In this world, the entertainment industry often gets inspiration or ideas from books to transform into movies.  Of course, as a writer, I like to point out to the girls that every movie started as the written word (aka written or typed scripts).  One of the areas we discuss a lot is the differences between book and movie.  We watch many films which are based on a Biblical story.  Many times when people discuss Biblically-inspired movies, the main question is: “Is it accurate?”  This is an important question.  I also like to discuss why it wasn’t accurate – because I have yet to watch a retold Biblical-story-based film that was 100% accurate.

Below are a few of my thoughts specifically on Bible-to-Movie productions.

By far a favorite series in our house is the “Greatest Adventure” cartoons; stories that are close to accurate but obviously not due to the addition of three non-biblical characters and humorous exploits by said characters that just aren’t accurate.  Another favorite is “The Ten Commandments” – which although it’s a classic with great acting and brilliant pageantry, it focuses the majority of time on the portions of Moses’ life that the Bible does not cover, and omits or changes portions of the wilderness journey.  Even the more Biblically accurate “Moses” and “Joseph,” both with Ben Kingsley, omit quite a bit of the story.  Then there are the cartoon features like “Prince of Egypt” and “King of Dreams” – which are more about the lead character “finding themselves” and “fulfilling their destiny” which sounds more along the line of Star Wars than the Bible and they outright change the stories; the former appears to be all about “freedom” (good, but what about learning to obey God?) and the latter has less obvious inaccuracies with the poignant story of forgiveness extremely strong.  Mel Gibson’s “Passion”, while being graphic and realistic where you feel like an intruder through time due to the archaic languages used, has several added sequences that aren’t in the Gospels along with omitting sections that are.  “The Nativity Story” expands on just a few verses to create a realistic emotional journey that focuses on what the storytellers believe Mary and Joseph were feeling and experiencing in their culture; it is close to being Biblically accurate, but much is added into the story.  “Noah” was realistic as entertainment but flawed if one tried to match it to the Bible (though this was the first of any Noah story remake I’d seen where they’d included the fact that Methuselah died the same year as the flood).  “Samson” has an over-the-top villain that makes it seem cartoonish, the story is again modified, yet the film storyline is highly believable.  Three or four Noah remakes as musical cartoon shorts exist in our collection and provide many laughs – the only accuracy in those is this single story thread;“Noah and his family and the animals were saved by God in a boat,” the rest is singing, dancing, and cartoon animal gags.

Even our family’s absolute favorite because it captures the truth of the character of Christ as the Gospels portray, “The Greatest Story Ever Told,” leaves much to be desired if it were an exact retelling of the story (the girls always laugh at the poor cowboy Centurion but love the emotions in the face of the actor playing Jesus when he says “I am the resurrection and the life”).

The question begging is this: why are these things left out?  Why are stories shortened?  Why are portions added in?  Why create inaccuracies in a Biblical story?

In any film production there is the balance between budget, story, perceived audience retention, rating, and other factors that impact how the finished product turns out.  For the sake of the story, characters are sometimes added, omitted, or changed.  Consider in “Samson” how instead of foreskins he brings clothing (that was a nice change).  Sometimes stories are changed or details omitted to keep a film under a specific rating and therefore open to a larger audience.  When we realize that any retelling of the Biblical story will fall short of being the actual Bible, we can appreciate the retold stories as just that; someone’s retold story based on a truth from the Bible.  Granted, as with any film or story, we have to use our discretion – I don’t own a copy of “Sodom and Gomorrah” with Stewart Granger because it’s inaccuracies outweigh what I would consider worth the entertainment (really, hundreds of people escape those cities to follow the great leader, Lot?)

Sometimes accuracy is lost in retelling a story for a specific reason to craft a more palatable story or to engage a specific audience.  I’ve rewritten a few Biblical stories and no, they are not 100% accurate.

  • In “Katy Bear’s Request,” my main character is a talking bear – seriously? This is a child’s book written as a fantasy.  No human was around to witness creation so I picked a bear to witness God making Eve.  Katy Bear is a cub because my story was written for a preschool audience.  Accuracy was lost for fantasy.
  • In “Story From the Inn,” the inaccuracy comes from added details. In the Bible, there is no mention of the innkeeper’s family and no mention that Joseph and Mary are unattended when Jesus is born.  From those unspecified details, I developed the innkeeper’s daughter who sits with the midwife’s daughter to attend Mary and witnesses Jesus’ birth to retell the story to her grandchildren years later.  This inaccuracy is due to added details.
  • In “The Living God,” I actually took quotes from the Bible for the characters to speak, but I added two young palace slaves to observe Daniel and who, like Darius, is convinced Daniel’s God is the Living God. Caleb and Miriam were added because I wanted someone with whom my audience could relate.  They are not mentioned in the Biblical account, so those additions make it inaccurate.

These stories were purposefully made inaccurate to be more entertaining and to engage my audience easier.

Personally, I like to use all Biblical films as catalysts to open discussion regarding this very truth – films are simply stories retold to entertain us.  We discuss the differences between the film and the true story, the supposed reasons why these differences exist, and how the differences affect the story.  Many times, we enjoy a retold story even though we understand the truth is different.  We have two favorite films that are about the life of Ruth – and the girls enjoy watching and discussing both.

Discussion regarding movie versus book is something I do with every film we’ve seen where the girls have read the book.  I do like to turn any opportunity into a teaching moment.  Sometimes the reaction is, “The movie is much better,” (i.e. “The Hunger Games”, “Bambi”, “The Little Mermaid,” “The Count of Monte Cristo”) but most often the reaction is, “I missed xyz” or “Why didn’t they have such and such character?” ending with, “I liked the book better.”

With almost all Bible story depictions on film, the consensus is the Book is much better.

Thanks for reading!

Type at you later…

~Nancy Tart

 

Creating Characters: Web of Deception

February 11, 2018

Creating Characters: Web of Deception

The first of my epic fantasy novels to be published, Web of Deception, has some of my favorite characters.  It took over seven years of development and several revisions to complete this work.  I’m a bit of a perfectionist, so I never thought it was really done!

I wasn’t writing for a specific audience at first.  (Perhaps it would be more accurate to say, at the time, I was writing for myself as a young adult fiction enthusiast.)  I chose a semi-autobiographical lead.  I imagined myself as Jordan.  Since I was fourteen years old when I started, he originally started out at fourteen.  There were also about 280 pages of exploits and adventures in Ja’hline!  Later, as I became more advanced in my writing profession, I realized that none of these “school stories” did anything to help advance the actual plot; it just gave an extended view at the culture of Swavaria and the emerging character of several players.  This did solidify the characters in my imagination.  I knew them because I had been slowly forming them.  As I hit “delete” on over 280 pages of material, I chose to see it as an exercise in character development  rather than a humongous loss and waste of time.  Today, any one of my series books and most of my novels have a separate file with in-depth biographies and feature traits of each character.  (Usually, even supporting characters like Darren from Brantley Station Saga and General Wrynn from Web of Deception have pages of biographical information on them!)

The character of Kalam was one of the easiest for me; when I started reading this story aloud to my younger brother, he loved it and wanted to be in it.  This led to the creation of Kalam, a younger character included in the group.  This younger character had expounded strengths and the quiet, reserved, thoughtful nature of my brother.  It was easy to develop him.

Several other characters had “base” humans – those I pictured with modified talents or enhanced abilities to keep reminding me of the core of my character.

Jordan was what I imagined myself to be should I be in a fantasy adventure.  His character was actually drawn from attributes I admired in various historical figures and fiction characters from favorite tales.  Jordan was a hodge-podge of strengths I wanted and weaknesses I felt inside me.  The turmoil he feels throughout the book is something any adolescent would likely feel to some degree – we all feel like we are fighting a raging battle between our inner good and evil wolves, don’t we?  (Which wolf do we choose to feed?)

Chloe was my first character that had no “base” human for me to draw from.  She was developed to be the bold opposite of Jordan.  Alike in many ways, but different in certain extremes, Chloe and Jordan complemented each other and fueled a growing fissure of uncertainty throughout the journey.

Sometimes, characters build themselves because of a vacuum created in my work: Corgi was pulled back from the scrap board and I needed a character to compliment him.  To fill this gap bloomed Seva Natalia.

Overall, the characters I create appear to come alive inside my imagination, spill into my dreams, and take on their own lives as I record their adventures on paper (or screen).  Often, the same or very similar characters pop up in various works!  This is because I tend to lean toward strong, noble, intelligent characters and  love tossing in my “bit parts” guys when I can.  (You know, like Gabby Haynes popping up in hundreds of westerns always playing the same sidekick?)  My grizzled, uncouth military leader, wizened salt-and-pepper crowned mentor, sassy bossy no-filter child, and a few others pop up under a variety of names and faces to keep my readers (my girls) yipping, “Mom!  He’s from your other book too!” when they find one of these bit part characters.

Thanks for reading!

Type at you next time…

~Nancy Tart

 

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