Tag: Web of Deception

Meet Jordan Binak

August 2, 2017

Meet Jordan Binak

We’re going to meet another fictional character today.  This one was created over 20 years ago!  Often when authors create fictional characters, they pull from themselves and add strengths they want.  If you study Charles Dickens, you learn that the character of David Copperfield has many traits and experiences that Dickens actually had.  Of course, the story is fiction, but the lead character is very close to Dickens.  I think of this as a “masked cameo” – like when a movie director has a cameo appearance in a film he directs.  Only in a book, since the readers may not know the author personally, the author can give his “masked cameo” a larger role.

When writing “Web of Deception,” I used many friends and family from real life and masked them or blended them together to make my characters.  (Don’t tell anyone!  And, no, I’m not saying who is who!)  Jordan was how I envisioned my character with his backstory.  Strong, bold, self-sacrificing for others, humble, frustrated, confused, content, fearless.  (Actually, he sounds like any teenager!)  I would work out the story in my backyard, acting out each part until I was satisfied with the way each sub-story played out and how the characters acted.  (Quite a lot of it was chopped later, or rearranged, just like a movie!  And my dog, Lady, was my first-ever audience.)

Jordan gets most of his character from his birth family.  This foundation is built upon by the family who takes him in.  He credits most of his character to his sister, who he looked up to and was always trying to be like.  He doesn’t realize it (most young people don’t until later when they choose to analyze themselves), but even his perception of others is influenced by his childhood village.  As a youngster he enters a military training school.  This is common in the World of Kings’ province of Swavaria.  Their Warrior-Spirits begin training between three and five.  Jordan enters “late” at seven and a half.

When he’s graduated from this school, he finds himself thrust into a twisted quest he knows nothing of.  This quest will answer more questions and touch more memories than Jordan knew he had.  “Web of Deception” was written using my “step in their shoes and walk around” model that I use for most characters.  Being that Jordan was my first protagonist (lead character), I discovered that when I was frustrated, it was easy to write confrontation and fight scenes. When I was calm, it was easier to drift to other characters and develop them.  This made for a great release of frustration!  I’d just turn whatever was bothering me into the creature Jordan happened to be fighting!  (This was a major stress-reliever!  When I created Kvortee, I was envisioning a bully we’d just dealt with.)

I completed the first draft of “Web of Deception” when I was fourteen.  When the first edition was published, the ending was cut, so this second edition contains the full ending!  Enjoy!

Thanks for reading!

Type at you next time…

~Nancy Tart

Creating Darren

July 6, 2017

Creating Darren

One of the neatest parts about writing (for me, anyway) is creating people.  Maybe I take it too far, but I like to have elaborate backstories for everyone.  (For example: a character with a small part in “Web of Deception” has fifteen pages of notes on his family life, origin, habits, and history of how he rose to sit on the Myra’neen council!)  To give you some idea of how I create characters, I’ll give a simpler example:

Darren Blake is a member of the Grenadan Guards.  His parents own an inn in a small town two days’ travel from the capital.  His family consists of his father, mother, himself, and a set of twin brothers.  As toddlers, his brothers loved making muddy messes and rejected clean water.  Since his mother didn’t like mud in her inn, she would solicit Darren’s help in corralling and washing the twins every evening in the stable.  Darren hated this so much that when he left to join Guard service, he vowed he’d never wash a kid again.

Fast forward a few years.  Now Darren is a junior grade junior officer in the Guard ranks.  He is stationed at the underwater mining colony of Brantley Station.  He is low enough in rank to be unable to contest being placed “in charge” of Ethan when the pirate child is held in Guard custody until the council meeting.  Even though at first Darren appears just as callous as the majority of the Guards, his real character emerges as he realizes that Ethan is just as innocent as his own brothers.  Then Darren becomes Ethan’s guide, friend, and advocate.

I needed a character to bring the human side of the Grenadans into light.  This character needed to connect with Ethan despite being part of the Grenadan Guards.  In the long-term storyline, a positive connection early on was needed so that Ethan could reflect on at least one Grenadan as being good instead of evil.  As most of them, due to their militaristic viewpoint and cold, logical mindset, see orphans as weak links (unimportant, less than human) and are not in the least kind to Ethan.  In creating Darren, I had to take into account the lifestyles and culture of the Grenadans I’d created.  Darren would be, like all people, a product of his environment.

Darren appears only in the last half of Pirate Child and in the first chapter of Little Thief.  His character was also created to be temporary.  He is in Ethan’s life for less than two months.  Although his time spent is small, his impact on the way Ethan views the station is large.  This part of fiction is just as in real life.  Sometimes our connections with others may be very small (a nurse in an ER, a man on a bus, someone we stand in line with at a park, or a passing stranger who smiles at us when we are sad) but we remember them forever.

Be sure to check out Ethan’s story in the Brantley Station Saga and keep your eyes open for one short-term character named Darren Blake.  Ethan remembers him forever.

Thanks for reading!

Type at you next time…

~Nancy Tart

 

Mythical Horses

June 27, 2017

Mythical Horses

They say that in fiction, we don’t really create anything new, we draw on our memory of things we have seen to create something new: Like the Sevokloi in Web of Deception – they are like squids with reptile bodies (leather) adapted for a desert terrain and having two steadying legs like an overgrown insect.  I love creating creatures that don’t really exist.  I also like to pretend (in my stories) that other mythical creatures are real: like unicorns and pegasi. (The people of my world call them “skyhorses”.)

In our house, each of us have different theories on how the stories of mythical creatures like flying horses (pegasi) and horned horses (unicorns) came about.

My personal theory is that someone in ancient times came across a skeleton of a horse with a bone spear stuck through its skull.  Since it was bone, they thought it was part of the skeleton (maybe they’d never seen a horse!) and voila, stories spread of a horned horse!

For pegasi, maybe there were some pre-Ionian shepherds out when Elijah rose up to heaven (it says “there appeared a chariot of fire and horses of fire… and Elijah went up by whirlwind to heaven”) and those shepherds said “Look Joe!  Flying horses of fire driving a chariot of fire!”  (tada, pegasi!) Then Joe says “maybe that’s how the sun goes across the sky.”  Boom!  Now there’s the Greek story of Helios driving flying horses in his flaming chariot.

Rebeccah thinks that flying horses and horned horses were mutants of the horse kind.  An isolated, now extinct, species of horse in ancient times used an overgrown tooth to dig the ground like cracker cows and wild hogs looking for food.  These were unicorns.  A few, eohippus sized members of the horse kind, flew-hopped about like archaeopteryx with tiny wings.  These ended up being called pegasi!

However you explain the origin of mythical creatures in fantasy stories, they do make the stories far more interesting.  (They also let us know that the story world we are entering is not real – so we can expect many strange things.)

I love mythical creatures.  I like pretending to create something new.  And it’s fun to theorize about how people created them.

Thanks for reading!

Type at you later…

~Nancy Tart

 

Capturing Places

June 24, 2017

Captured Places

Have you ever walked through a place you loved so much you drew scale drawings of it and built models?  I love architecture.  I plan each building and area – in most of my stories, even down to the plants and what color flowers are in season!

Once, I walked through a house with my parents.  This house was three levels with huge seat windows in every upstairs bedroom – the architecture of its large, open, bright rooms inspired the castle rooms in The Princess and the Swans.

The drab gray stone buildings in the K’vell training complex in Web of Deception came straight from a series of compact, functional, barracks-style buildings on an old property we explored once.

The Ann, Mary, and Susan Mysteries take place in my second-favorite childhood home.  The inside of that house is exactly as it is in real life – including the wrap-around second-floor deck and the loft-lookout bedroom on the third floor.  I added the aviaries, fields, and barn the way I wanted them (the only real-life outdoor structures in the stories are the dilapidated pool and the little next-door house) but even most of the bushes the girls hide in are on the real-life property.

In the Adventures of Long Tail, the chicken yard is exactly as we had it in the house Kimberly and Lucas were born in. (But the time stamped in those books is just before Jaquline was born.) Even the hen house is set up exactly as we had ours with the 4-level biddie brooder and incubator on top.

For me, it helps to visually see places in my worlds.  Lego bricks are great for scale buildings!  I even make maps and blueprints for most worlds and buildings so I never mess up my directions as I bounce from one storyland to another.  Continuity is very important to me (my perfectionist nature, I guess, but seriously… if Long Tail’s hen house was different each time, or if Ethan went down a different corridor each time to get to the Observation Deck, wouldn’t that be odd?)

Writing also helps me capture the best of places I remember (or dream up).  If I love a house, shed, barn, park, or yard layout, it will be in a book someday!

Thanks for reading!

Type at you next time…

~Nancy Tart

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