Tag: audience

Read Me A Story

Read Me A Story!

February 21, 2020

One of the things I like best in the whole world is to read books. Aloud. To children.

Don’t get me wrong, I love reading personally too, but there is just something so amazing about getting to play all characters in a book for wide-eyed child audiences. My first audiences were my younger siblings – actually, most of them were just trapped. It’s like “not again!” but one or two would be like “yes! read this one!”

One of my biggest encouragers in my writing was my youngest brother. His favorite read-aloud story is actually completed (a trilogy, actually) but because of my perfectionist nature, needs tons of work before I would publish them. So Olivia and Alex will be left right there in our imaginations for now… The next one he wanted me to read was “Web of Deception” in which I created a character to “be him.”

Along came my own children; to whom I read old stories and created the Long Tails, Funny Sisters, and Devonian series for.

And Becky begging for more “Pirate Baby Story” – I wanted to see the sparks of interest in reading. Reading is the open door to so much knowledge.

Now I’m sitting on my comfy bed with Lucas and Thea, starting “Fibbing Fisherman” (Lucas calls it “the fish boy that Becky draws” because Becky illustrated the cover). Jillian hears and lumbers in from her spot on the couch (did I really just draw her away from a movie). Kimberly hops in, “are you reading?”

The last big one was Voyage of the Dawn Treader. (I love the Narnia books!) I’m always reading something – in progress on a big one and reading through little ones at least one in a sitting. They fall asleep around me – the big kids hadn’t even shown up at the fishing spot yet – as I read and pretend I’m each different character. We discuss each decision as the characters make them because most of the time book readings are interrupted by “why’d he do that?” or “what was she thinking?” questions. (YIPPEE! time for socratic questions to answer these and get their own mental gears turning!)

I hope I’ll always be reading so someone. I don’t really read to Christina anymore. Sometimes Becky will wander in when it’s a book she likes or when she wants to read (she is a great oral expressionist – I expect she could be a great speaker or do drama or some such). Right now, I’m happy to be in the stage I’m at where there are still some younglings begging, “Read me a Story, please?”

Treasure each moment, it turns into a memory as soon as it passes.

Type at you later!

~Nancy Tart

Biblical Film Adaptations

June 16, 2018

Biblical Film Adaptations

In this world, the entertainment industry often gets inspiration or ideas from books to transform into movies.  Of course, as a writer, I like to point out to the girls that every movie started as the written word (aka written or typed scripts).  One of the areas we discuss a lot is the differences between book and movie.  We watch many films which are based on a Biblical story.  Many times when people discuss Biblically-inspired movies, the main question is: “Is it accurate?”  This is an important question.  I also like to discuss why it wasn’t accurate – because I have yet to watch a retold Biblical-story-based film that was 100% accurate.

Below are a few of my thoughts specifically on Bible-to-Movie productions.

By far a favorite series in our house is the “Greatest Adventure” cartoons; stories that are close to accurate but obviously not due to the addition of three non-biblical characters and humorous exploits by said characters that just aren’t accurate.  Another favorite is “The Ten Commandments” – which although it’s a classic with great acting and brilliant pageantry, it focuses the majority of time on the portions of Moses’ life that the Bible does not cover, and omits or changes portions of the wilderness journey.  Even the more Biblically accurate “Moses” and “Joseph,” both with Ben Kingsley, omit quite a bit of the story.  Then there are the cartoon features like “Prince of Egypt” and “King of Dreams” – which are more about the lead character “finding themselves” and “fulfilling their destiny” which sounds more along the line of Star Wars than the Bible and they outright change the stories; the former appears to be all about “freedom” (good, but what about learning to obey God?) and the latter has less obvious inaccuracies with the poignant story of forgiveness extremely strong.  Mel Gibson’s “Passion”, while being graphic and realistic where you feel like an intruder through time due to the archaic languages used, has several added sequences that aren’t in the Gospels along with omitting sections that are.  “The Nativity Story” expands on just a few verses to create a realistic emotional journey that focuses on what the storytellers believe Mary and Joseph were feeling and experiencing in their culture; it is close to being Biblically accurate, but much is added into the story.  “Noah” was realistic as entertainment but flawed if one tried to match it to the Bible (though this was the first of any Noah story remake I’d seen where they’d included the fact that Methuselah died the same year as the flood).  “Samson” has an over-the-top villain that makes it seem cartoonish, the story is again modified, yet the film storyline is highly believable.  Three or four Noah remakes as musical cartoon shorts exist in our collection and provide many laughs – the only accuracy in those is this single story thread;“Noah and his family and the animals were saved by God in a boat,” the rest is singing, dancing, and cartoon animal gags.

Even our family’s absolute favorite because it captures the truth of the character of Christ as the Gospels portray, “The Greatest Story Ever Told,” leaves much to be desired if it were an exact retelling of the story (the girls always laugh at the poor cowboy Centurion but love the emotions in the face of the actor playing Jesus when he says “I am the resurrection and the life”).

The question begging is this: why are these things left out?  Why are stories shortened?  Why are portions added in?  Why create inaccuracies in a Biblical story?

In any film production there is the balance between budget, story, perceived audience retention, rating, and other factors that impact how the finished product turns out.  For the sake of the story, characters are sometimes added, omitted, or changed.  Consider in “Samson” how instead of foreskins he brings clothing (that was a nice change).  Sometimes stories are changed or details omitted to keep a film under a specific rating and therefore open to a larger audience.  When we realize that any retelling of the Biblical story will fall short of being the actual Bible, we can appreciate the retold stories as just that; someone’s retold story based on a truth from the Bible.  Granted, as with any film or story, we have to use our discretion – I don’t own a copy of “Sodom and Gomorrah” with Stewart Granger because it’s inaccuracies outweigh what I would consider worth the entertainment (really, hundreds of people escape those cities to follow the great leader, Lot?)

Sometimes accuracy is lost in retelling a story for a specific reason to craft a more palatable story or to engage a specific audience.  I’ve rewritten a few Biblical stories and no, they are not 100% accurate.

  • In “Katy Bear’s Request,” my main character is a talking bear – seriously? This is a child’s book written as a fantasy.  No human was around to witness creation so I picked a bear to witness God making Eve.  Katy Bear is a cub because my story was written for a preschool audience.  Accuracy was lost for fantasy.
  • In “Story From the Inn,” the inaccuracy comes from added details. In the Bible, there is no mention of the innkeeper’s family and no mention that Joseph and Mary are unattended when Jesus is born.  From those unspecified details, I developed the innkeeper’s daughter who sits with the midwife’s daughter to attend Mary and witnesses Jesus’ birth to retell the story to her grandchildren years later.  This inaccuracy is due to added details.
  • In “The Living God,” I actually took quotes from the Bible for the characters to speak, but I added two young palace slaves to observe Daniel and who, like Darius, is convinced Daniel’s God is the Living God. Caleb and Miriam were added because I wanted someone with whom my audience could relate.  They are not mentioned in the Biblical account, so those additions make it inaccurate.

These stories were purposefully made inaccurate to be more entertaining and to engage my audience easier.

Personally, I like to use all Biblical films as catalysts to open discussion regarding this very truth – films are simply stories retold to entertain us.  We discuss the differences between the film and the true story, the supposed reasons why these differences exist, and how the differences affect the story.  Many times, we enjoy a retold story even though we understand the truth is different.  We have two favorite films that are about the life of Ruth – and the girls enjoy watching and discussing both.

Discussion regarding movie versus book is something I do with every film we’ve seen where the girls have read the book.  I do like to turn any opportunity into a teaching moment.  Sometimes the reaction is, “The movie is much better,” (i.e. “The Hunger Games”, “Bambi”, “The Little Mermaid,” “The Count of Monte Cristo”) but most often the reaction is, “I missed xyz” or “Why didn’t they have such and such character?” ending with, “I liked the book better.”

With almost all Bible story depictions on film, the consensus is the Book is much better.

Thanks for reading!

Type at you later…

~Nancy Tart

 

Amazing Live Music: Evan D Music

(photo from Evan D Music’s Facebook page)

May 29, 2018

Amazing Live Music: Evan D Music

Our weeks are pretty full of stuff.  Between our crossing driver shifts, taxiing children to and from college classes and groups, and just general life – it is awesome to have a mostly-weekly couple getaway afternoon on Mondays.  (THANK YOU! Shout to my amazing sister, Becca, who is brave and possibly just as crazy as me to sometimes text, “Pick them up by 8am tomorrow.”)

That is what we had this week.

The adventure of just Louis and me began with dropping off 7 children at 4pm (Anastasia had “sleptover” Sunday and Christina’s Monday class was canceled because the college was closed) to 6:30am the next day.  Only one cab ride to take someone home before the night was ours.

We had worked in the morning (all 3 cab calls) and ferried Christina to Marine Street for her Civil Air Patrol volunteer time, then spent almost 4 hours playing yard and board games with the girls (I even got to conquer an Age of Empires map with Rebeccah!) so when our time started it was like, “okay, what now?”

I wanted to walk on the beach and surf… wrong tide, and I don’t do baiting-shark surfing (aka night surfing).

Louis said, “I remember hearing some really good music downtown two weeks ago at the Tavern.” (He means the new Taberna del Caballo.)  Oh my! You should go there on Mondays from 4pm to 8pm – trust me, your ears are in for a very special treat!

So down we went.

And there, I was transported backwards to the very skillful, amazing raw guitar sounds that I heard my minstrel-of-the-dawn Daddy playing when I was a child and the awesome worship jams with Louis and his team and I first met.  Clean music, inspiring riffs (…you know, the things where a string musician picks the strings with his fingers so fast the fingers blur all together and you sit in awe with your mouth open…) and timeless songs.

We were listening to the sounds of Evan D Music.  (This guy is about to release a record too… yep, I’m not that old, but projects are records of time and passion, even if they are downloaded on a smart device in snippets.)  He plays around town almost every night but at the Taberna del Caballo Mondays from 4pm to 8pm.

One lady at another table had the best stadium whistle I’d ever heard (right through her fingers, no device!)  I’m sure people at the Oasis on the beach heard it.  You should have seen the two adorable kids dancing along with most of the patrons when one particularly moving song was performed.  (Louis doesn’t dance, so I’m not going to dance without him… but had the girls been there, we would have been dancing around too.)

I love live passionate music.  You can tell when an artist puts their heart and soul into their work – and Evan surely does.  I grew up listening to my Daddy play “story” songs from Phil Collins to Gordon Lightfoot to Jackson Browne, Moody Blues, Beach Boys, and all in between.  (We sat down to hear Evan playing “Kokomo” which was way cooler live with a riff-master on guitar – and he can sing the higher harmonies – I hadn’t heard that since my little brothers’ voices changed!)  My Daddy’s eyes would light up like he had stars in them when he strummed the tunes.  For years, I thought Lightfoot’s “Minstrel of the Dawn” was the story of my Daddy.  I loved just listening to the guys play when Louis and I first met; they’d be crammed in Grandpa’s attic room and wailing away and I’d hide on the stairs or they’d be practicing in the empty auditorium and I would slide off to the dark side entryway and dance.  I still love it when Louis (who claims he’s really rusty) plays guitar or Christina or Becca play piano.

Real music is the love of my heart.  It lifts my soul, engages my mind, heart, memories, and emotions, and spins a relaxing web of tranquility through the air.  This is what I felt listening to the talented Evan D Music; and this wonderful little place on St. George Street will be a regular haunt for us from 4pm to 8pm as long as we have Mondays off and Evan is playing there!

Check Evan D Music out on Facebook and YouTube and come be in his audience before he makes it to the Amphitheatre!

Thanks for reading!

Type at you later…

~Nancy Tart

 

Creating Characters : Brantley Station Saga

February 8, 2018

Creating Characters: Brantley Station Saga

One of the last set of characters I created were for a youth adventure series called “Brantley Station Saga.”  This entire set was built off of one comment by my Dad.  He was helping develop a website when he observed, “all of your series stuff is for girls.  Have you ever thought of writing for boys?”

Thought about it?  (Yes!  Web of Deception, The Living God, many other single stories, and most of my “in progress” works are aimed primarily at boys in middle and high school levels.)  However, he was right about one thing.  Outside of my rooster in the Adventures of Long Tail, there isn’t a main male character in the Ann, Mary, and Susan Mysteries or in Five Alive: Stories of the Funny Sisters.  Even in my Melacotia Saga books, although Jeremy Scott is a primary character, the books were written for my sisters to read and Sarah is the primary character.   

From there, I dove into the adventure world I’d dreamed of writing.  I developed Brantley Station using my futuristic model from the Melacotia Saga.  I created a narration storyline following an underappreciated unclaimed youth, Ethan.  (I started him at 14, with The Protector.  This changed when Rebeccah wanted the “Pirate Baby Story” in full.)

This jumping backwards did give me an opportunity to illustrate the origin and development of Ethan’s character.  (In these two first books, the spotlight is shared by Jamie, a young submersible pilot.)  Ethan is a shy boy who aims to please.  His melancholy personality pushes him to perfection, which makes him a good worker, and enables him to be content to be invisible.  Ethan’s goal through his life is to keep unnoticed.

I imagined this child whose traumatic early childhood is scarred with death of his mother and the distance in grief of his father.  He had a close cousin who tried to fill this gap and cheer him up, but only a few months afterward, Ethan is kidnapped by pirates.  He becomes essentially a slave.  Because of several injuries while he was fighting with his captors and Ethan’s shoving his “dream-memories” of his earlier life away as a coping measure, Ethan doesn’t remember anything before the  pirates.  He manages to live through this for a long unknown amount of time – a few years – until he’s trying to hide from an abusive pirate in the captain’s docking sub.  This providential hiding place sends him to Brantley Station.  Here he ends up trying to fit in because he has a primal desire for the deep.  He is scared by wild stories of “topside” by the military police at the station.  Ethan finds himself taking up the lowest position and hiding from most people by keeping himself busy with work.  He works diligently and easily learns new tedious tasks; by nature he hates disorder so many of his tasks end up being cleaning jobs.

I imagined how his character and personality, originally Melancholy-Phlegmatic, could have changed with experiences and time.  Was he distanced from people by his mother’s death when he felt his father’s dealing with grief by retreating?  How did he keep his people-pleasing, obedient, truthful, positive character amid the abuses of being held captive?  How does being forced to live in the guard barracks affect him?  Ethan chooses to stay honorable because of voices he hears from his past – he calls them “dream-memories.” I gave Ethan an inner strength that helps keep him grounded.

I created a memory that would connect him with his past – using a book read nightly by his older cousin from which Ethan recites passages and a song Ethan’s mother used to sing which the boys created their own new words for.

In creating Ethan, I wanted to craft a believable, dynamic character.  Each of the secondary characters like Bria Addison, Corey Skitter, Makayla Ervin, Chef Brummen, and Victor Potter are also carefully designed to be as realistic as possible.  You can read about these members of Brantley Station in the young adult series, Brantley Station Saga.

Thanks for reading!

Type at you next time…

~Nancy Tart

 

Character Creation: The Funny Sisters

February 7, 2018

Creating Characters: The Funny Sisters

One thing I love about reading is meeting amazing characters!   I’ll be feeling the same betrayal and hopelessness that twists into revenge alongside David Balfour as he watches his uncle get smaller as his prison of a ship carries him into unknown waters. (Robert Louis Stevenson’s Kidnapped)  I’m puzzling out the mystery with Nancy Drew in dozens of fun chapter books – and I scream at Bess, “Don’t open that door!” but she doesn’t listen.  When the rough man beats and drags Buck into the cold shack, I’m crying and praying for his release. (Jack Loudon’s Call of the Wild) Vivid characters make a story real to me.

I’m one of those crazy readers who actually talks to her book people.  I think about them as real people even though I know they are fictional – and when I find (or raise!) another crazy reader, we can discuss these characters as if they were real people for hours!   (This makes for interesting conversation: I’ve been part of discussions about characters’ psychology and conjecture regarding how they would handle said modern situation.)

Because of my reading quirks, when I write, I want to create believable characters.  (And I’m a nut for continuity, so I was very irritated when my first publisher cut my ending ceremony and didn’t add my 13 error-correction edit!)  But that’s a story for another time.

My first step is to figure out who I’m writing for.  For example: “The Funny Sisters” Series.

The Funny Sisters Series began as a few fun stories for my daughters.  They wanted stories about sisters like them.  Each character reflects the distinctive traits of each girl at the time the series was started.

Tina is an avid reader who likes to try to lead her younger sisters.  She sometimes gets irritated, but usually laughs it off.  She ends up in all kinds of odd situations caused by her younger siblings.  Tina is bouncy, fun, and at the age where she is trying to be grown up but also loves to do goofy stuff with her sisters.

Becky, another character, doesn’t like to get up in the mornings.  She gets cold easily, laughs a lot, likes to tell jokes and make puns, loves animals, and makes up cool pretend games.  Becky gets mad at people sometimes.  She is a perfectionist and likes things to run smoothly.  Becky and Ellen have a special understanding because they are so alike.

Kim is rambunctious.  She almost never walks or seldom does anything slowly.  She runs.  She jumps.  She cartwheels.  She slides into the oven and pulls on the handle so it falls on top of her.  Kim has a boisterous personality.  Kim almost never gets mad at anyone.  Kim is friendly.  She laughs loud and lives life boldly.

Ellen’s quiet personality hides her inner dragon.  She is always thinking, always contemplating her next move, always observing everything around her.  She usually knows where everyone else is and what they are doing.   She carries a blankie. (This just had to be since Jaquline wouldn’t have the stories without her blankie-that-went-everywhere.)  Ellen is determined, thoughtful, and factual.  She says what she sees.

Jill is the baby of the family.  She’s a typical two-year-old who loves fun, dancing, running, and keeping her sisters and parents guessing as to her next demolition target.  Of course, she doesn’t mean to decimate things, she just sometimes does.  Jill would rather not wear clothes.  She loves to sing!

These characters interact together to create funny family situations.  Most are copied from real life.  (Some events in the books are exaggerated while some are toned-down!)  Once these books became a “for sale” series, each character was tweaked just a touch to make sure they could entertain various age groups.  They are made to be read-aloud like bedtime stories.  The inclusion of the spread of ages gives the Reader an ability to say, “she’s just about your age!”  The thread of clean humor is woven through to make these books fun for the Reader as well as the bedtime audience.

This is the simplest example of my character creation.  Each of my books or series has its own backstory: some were created to reach a specific audience and characters created to meet that need (Brantley Station Saga) while others were created around a character I liked (the Adventures of Long Tail) or a story I created characters around (Web of Deception).

I’ll write about the different character creation method I use at a later time!

Thanks for reading!

Type at you later…

~Nancy Tart

Finding Perspective

For whom am I writing? An author’s first question to be answered before beginning a story.

December 20, 2017

Finding Perspective

One of the most important things for me to find when I’m writing is the perspective of my target audience.

Simply: for whom am I writing?

For Web of Deception, I was writing to the adventurous young adult (myself and my brother), for the Brantley Station Saga, my target is young adults, and my target readers for The Devonians are those in first through fifth grade.  The Funny Sisters stories are written to be read-aloud so they are more complex.  My goal for them is to entertain both the mom or older child reader and the younger preschool or elementary listener.

Story From the Inn was written when one of my girls mentioned, “I wonder what it was like to work at the inn where Jesus was born.”  (We had just watched a show about the culture of Jewish life in Jesus’ time and read through a book about growing up where Jesus lived.)

I imagined the small inn at Bethlehem run by a family (most were in that time) and one daughter (one my girls could relate to) always trying to help yet always getting underfoot.  This became the eyes and ears of my target audience (my little girls).  Children would relate to Rachel and see, hear, and feel that inn, culture, and special event through her eyes.  I dove into some more specific research and developed Rachel’s story of Jesus’ birth as remembered by a beloved grandmother while entertaining several grandchildren awaiting a new baby’s birth.

Rachel epitomized most children: full of life and expectancy, eager to help, longing to please, and constantly asking questions.

In the moment, Rachel doesn’t understand the magnificence of the event, she only feels elated that she gets to help with a birth (something “big”) and hold a newborn baby (for the first time).  As the storyteller, she reflects on this as an adult, to complete the circle.

Check out Story From the Inn to read Rachel’s story!

Thanks for reading!

Type at you later…

~Nancy Tart

 

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