First Sweet Potato & Fit!

July 30, 2019

First Sweet Potato (and Fit!)

Thea is five months old.

She is fascinated with everything.  If it moves, she giggles at it and wants to chase it.  If it makes a sound, she wants to chase it.  If it is in the possession of an older sibling, she wants to touch it.  If it looks fluffy or new (as in she wasn’t looking at it ten seconds ago), she wants to chase it.

For her, “chase” means raise her arms and legs like in a superman hold and shove her body forward, sideways, or backward on her tummy.  I’ve seen my other six babies, remember several siblings as babies, and have had numerous little nieces and nephews over – she is the first to do this type of scoot. (But then, each one has their own unique movement method!)

Theadora in my office

Maybe she has figured out that on hard floors (her entire environment) this type of movement makes the blanket travel with her.

She has learned to roll – has been doing both of these movements since about 3 months (but she rarely wants to go anywhere, so it’s like “surprise! I want to move at this second!” she loves to do the unexpected). 

Lucas will get on one side of her, giggle, and roll away.  She will giggle and follow.  Monkey see, monkey do!  He calls this game “rolling the ball” – I’m literally making her bassinet when I hear, “Mom!  Look!  I’m rolling a ball!” accompanied with a river of giggles from both Lucas and Thea.  He’s rolling in front of Thea and she’s following him all the way across the bed.  He rolls off the end of the bed (a fall of about 9 inches) and I’m about to jump into protect-baby-from-floor-barrier when he puts both hands on Thea’s tummy to keep her from rolling the last flip and says, “can’t go that way, I can fall off but you can’t yet ‘cause your head isn’t done yet.”

Lucas is her protector, her shield from danger, her loving big brother – and the one who leads her into most new (scary for us!) adventures, like rolling non-stop or eating something new – “Look, Mom!  She likes ice cream!”  (*facepalm in my brain* but at least it’s Daddy’s homemade vanilla soft serve) next line is “No, Baby Thea, only big boys can eat cones, you can just taste the ice cream.”  He’s letting her “taste” like we do, tapping one finger on the food and putting it on her tongue.

That backfired with the sweet potatoes. 

Oh, yes, nice story:

A cute 3-month-old goes with her family to Grandma’s favorite restaurant for a celebration.  She’s the epitome of baby cuteness in her Sunday best.  Everyone is being so well-behaved. Mom is having sweet potato (all the others have had sweet potato as a first food) and lets baby taste it.

BABY TURNS INTO VELOCIRAPTOR!

She starts jumping forward, grabbing at the table, mom’s fork, mom’s hair, anything to get back to the sweet potato!  Mom thinks she’s had enough after a few tastes, but NO!  Sweet little cuteness erupts into a full blown literal tantrum!  She flings herself back in frustration and screams! Daddy thinks this is funny. (Everyone else is bug-eyed, is she really throwing a fit?) Daddy says, “watch this” and gives her a small taste on the end of a spoon.  Thea sees the spoon coming, instantly stops fussing, alligator tears evaporate, and she grabs the spoon with both hands and shoves it into her mouth.  Once she sucked it dry, she looks up at Daddy with pleading eyes and babbles in what-adults-can’t-understand to mean “more please?”  He fed her a little more to keep the peace.

 Lucas was even spellbound watching Thea, his sweet, tiny, fragile-looking baby sister toss her baby fit.  Mommy took this excellent opportunity to mention quietly that wasn’t very nice.  He says, “I don’t like that screaming.” To which I answer, “we feel just like you do now when you drop yourself on the floor and start kicking.” (Doesn’t happen often, but it’s been a thing since I started working.) “Oh.” I think gears are turning in his brain.

And this:

is what everyone else in the world sees…

Type at you later,

~Nancy Tart

Movie Thoughts: Knowing

March 28, 2019

Movie Thoughts: Knowing

The other night we had a movie night.  This had to be something mostly family friendly because everyone was awake.  Yes, even Thea was awake, but I’m sure she wasn’t paying attention to the movie just yet.

See, maybe because I’m old, or a morning person, or was exhausted from the work week, or… I’ll figure out an excuse later… short of it is, I go to sleep early.  Okay, earlier than my teens… okay, even earlier than my almost-teen.  My husband works late.  He is a night-owl.  So they usually watch anything that has too much blood, bad words, or unsafe-for-little-people-stuff after I’m asleep.

SO… queue the air-popped popcorn with yummy butter and salt, some fresh-cut potato French Fries and Sweet Potato Fries, and lemonade… the movie was on.

We watched Nicholas Cage in “Knowing.”

Louis said it was a horror film.  (I asked if he had lost his marbles… I wanted the little ones to sleep in their beds!)   Honestly, I think this designation was to entice the teens to watch it with us.

Oh my goodness.  What a strange, twisting, amazing movie.

**SPOILER ALERT**

If you want to watch the movie without knowing all the twists, stop reading now and go borrow it from the library.  Seriously, this is worth the watch.  We will likely watch it again.

The story acts like a psychological thriller.  Strange dark-cloaked “apparitions” aka “ghosts” aka “spirits” appear and disappear through the 50 years of time reflected in the film.  “Whispers,” as the affected children call the voices in their heads, keep relaying numerical information and give visions to the children after the dark-cloaked strangers give them an otherworldly rock.

Dad (Nicholas Cage) is a grieving widower astrophysicist pastor’s son who has turned his on faith and believes, as he tells his students, that the universe is a collection of haphazard mistakes and there is nothing but chaos.  He drowns his hopeless unbelief in a variety of alcoholic beverages to self-medicate his depression.

The son is hard of hearing (wears a hearing aid) and deeply misses his mother and the happiness that lived in his home before her death.  He happens to be given a message from the first child (written 50 years ago and locked in a time capsule at her/his school) that is a sheet of apparently random numbers.

But the numbers aren’t random.  They are the date (in short form) of a catastrophe and the number of people who died from it… and the “unknown” digits following (which if you have been listening to a Civil Air Patrol Chief talking about orienteering and navigation by GPS, you see that these same length “unknown” numbers are latitude and longitude).

What clenches it for Dad is when he finds the date of his wife’s death (a fire that claimed many) as one of the catastrophes in this list.  He realizes this message is personally meant for his family.  Now he launches into investigation to find out who wrote the message, where she is, why she wrote it, and to find the connection to his family.

Symbolism begins to appear here as the audience starts figuring out the story.  The first hint for me was the fire vision with the animals fleeing but nowhere to go.  (Destroy the Earth by fire.)  The dark-cloaked strangers have shielded eyes but bright faces.  (How would you hide glory unless shielded by darkness yet there’s still light in their faces?)  This is revealed at the very end with the darkness falling away and now they are bright, amazing beings.  (And the viewer whispers, “every time a person sees an angel, they have to say “fear not,” no wonder!”)

When “EE” is revealed to be “Everyone Else” the title is explained.  Now, they know.

At the end sequence, notice the “Pearly Gates,” “streets of gold,” “white linen garments,” and other symbolism played out – how they make it come to life is pure amazement.  Everything is explained in such a unique way.

This movie is rated PG (likely for the alcohol and “disturbing images”).  It’s actually very well put together.  The storyline seems fractured but falls into place and you wonder how you missed it.

Thanks for reading!

Type at you next time…

~Nancy Tart

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